“I always start with a lot of sand… and I’m teasing those images out of the darkness.”
Where she calls home: Sydney, Australia
Fluid frame technique: Sand animation
Fluid frame films: The Hunter (2012), The Crossing (2016)
ProTip: I’ve been doing a lot of work in both salt and sand and I’m a bit in love with salt; it’s so ghostly. I’m also loving that the sand leaves trails in the salt you can’t clean up, it’s a messy and uncontrollable element in my very tightly controlled shot and I like that.
Find out more: www.mariekawalsh.com.au
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